In a magical version of the medieval Middle East, a middle-aged single mom, who was once the notorious pirate Amina al-Sirafi, is dragged out of retirement for one final job.

This book is a complete and utter delight from start to finish. It has all the pirate tropes you could possibly want - sea battles! sea monsters! quests for magical objects! loyal crews! tossed overboard! marooned! - and sly twists on others. It's got great characters. It's got hilarious dialogue and character interactions. The world is wonderfully detailed and varied, full of plausible historical details and with a lovely faux-historical feel. There are stories within stories. It's all marvelous.

As a child, I had a book called Muslim Saints and Mystics, which was a translation of parts of the Tazkirat al-Awliyā, a collection of stories about Muslim saints written around 1200. It was funny and magical, and some of the stories-within-stories in Amina al-Sirafi have a similar feel. The novel neatly toes the line between dialogue that feels fairly contemporary and a plausibly historical mindset. Amina is horny as hell, but a serious Muslim who believes in not having sex before marriage; as a result, she's had five husbands. There's a major trans character, in addition to several gay characters; Amina has come across people before who prefer to live as the other sex, and takes it in stride without resorting to Tumblr-esque labels or attitudes.

I loved every moment of this book, and was delighted that though it has a reasonable ending, it is the start of a trilogy. It's the first book I've read by Chakraborty, and I'm excited to read her City of Brass series.

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Sciona, the first woman ever admitted to the University of Magic, takes on Thomil, a janitor from a discriminated-against culture, as her lab assistant, and they both learn dark secrets about their world.

Thomil is introduced when his clan makes a desperate run across deadly ground to get to the safety of a city surrounded by a magical shield. The shield protects against bitter cold and the deadly Blight, which randomly zaps and dissolves people, but the area around the city is particularly Blight-infested. Only Thomil and his baby niece survive. When they arrive, they find that the city natives hate their race and has consigned them all as a permanent underclass.

Ten years later, Sciona, a well-to-do young woman in the city, is preparing for her magic exam to try to get into the sexist magic university, which no woman has ever passed. Though she does pass, all the male mages but her mentor hate her and hassle her. The only other person who's even remotely nice to her is Thomil, the janitor, who is assigned as her lab assistant as a cruel joke. But though Sciona is racist and classist, and Thomil is mildly sexist in an oblivious way, they find that they kind of get along...

Wang has an engaging, easy-read style for the most part, the intros to the two main characters are quite compelling, and despite the heavy-handed axes of privilege themes, Thomil and Sciona have a nice dynamic.

I said "for the most part." The exception is the magic system, which I think is basically computer programming via magic typewriters (spellographs). The wizards program a spell to access a specific area of the magical Otherrealm (which they can't see or sense in any way, so they're just plotting points on a grid) to grab magical energy or matter from it. But we get MUCH more detailed and lengthy descriptions of it, from long explanations to actual spells:

CONDITION 1: DEVICE is 15 Vendric feet higher than its position at the time of activation.

ACTION 1: FIRE will siphon from POWER an amount of energy no lower than 4.35 and no higher than 4.55 on the Leonic scale.

ACTION 2: FIRE will siphon within the distance of DEVICE no higher than 3 Vendric inches.

If and only if CONDITION 1 is met, ACTION 1 and ACTION 2 will go into effect.

The first half is Sciona and Thomil working on various spells, interspersed with very heavy-handed commentary on colonialism, sexism, and how Sciona totally gets feminism when it applies to her personally but is oblivious to all other isms. Sciona is an awful, self-centered person and Thomil is mostly perfect. Almost exactly halfway through, there is a shocking reveal. At least, it shocked many readers. It did not shock me.

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Despite what the plot description sounds like, Sciona and Thomil do not have a romance beyond occasional sexy feelings. It's a magical dystopia/dark academia, I think similar to Babel (which I could not get very far into) but less anvillicious in that it does not have literal footnotes saying stuff like "This is a racist comment and racism is bad." (In the bookshop, I have Blood Over Bright Haven tagged "If you like Babel you will like this.") Sadly for M. L. Wang, this comparative subtlety got them some reviews on Goodreads accusing them of condoning Sciona being a bad person and endorsing her beliefs.

I did not care for this book but I can see how it would work for many readers, especially if they're shocked by the twist at the halfway mark.