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toastykittenWe sort of gave up watching after the second or third episode.
For a Joss Whedon product, it was surprisingly boring. I couldn't stand the ads which had Eliza Dushku all naked fading into lines of code or whatever it was. The Helo plot, though pretty, was beyond stupid and felt like somebody decided to mash all TV stereotypes of detectives together.
And then now I hear that it's the sixth or seventh episode where the good stuff is.
I'm sorry: it shouldn't take six episodes to get good. 30 Rock was a laugh riot from the first episode. Battlestar Galactica intrigued from the beginning. And Terminator: Sarah Connor Chronicles, while not having a strong few episodes, was at the very least, compelling. (And so far, remains brilliant.)
For a Joss Whedon product, it was surprisingly boring. I couldn't stand the ads which had Eliza Dushku all naked fading into lines of code or whatever it was. The Helo plot, though pretty, was beyond stupid and felt like somebody decided to mash all TV stereotypes of detectives together.
And then now I hear that it's the sixth or seventh episode where the good stuff is.
I'm sorry: it shouldn't take six episodes to get good. 30 Rock was a laugh riot from the first episode. Battlestar Galactica intrigued from the beginning. And Terminator: Sarah Connor Chronicles, while not having a strong few episodes, was at the very least, compelling. (And so far, remains brilliant.)
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