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toastykitten

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From the Edges of a Broken World, by Joanna Chen - retracted from Guernica

At n+1 mag, editors discuss how they would have handled editing this personal essay about the fraught topic of equal sympathy for both sides

Chen claims to write about empathy, but stops short of engaging with a fundamental problem of empathy: who draws its perimeter, and who falls outside it? I find Chen’s essay most interesting as a document of complicity—of someone who badly wants to hold onto her self-perception as a good, empathetic person, who experiences turmoil due to the violence committed by her state, but who would also not go so far as to question the need for that violence. It is simply “war.” At the same time, Chen does not share the unabashed anti-Palestinian bloodlust that the Israeli right openly foments.
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I am somehow sticking to the commitment this year of reading a book a month - I think The Sympathizer kicked me in the butt a bit. It was so good. Anyway, after the Committed I started The Refugees but then I got distracted, and then I ended up ordering A Man of Two Faces online and I realized how much I like reading an actual book as opposed to reading a screen. Maybe I might end up reading more than a book a month, who knows? 

I am really enjoying the series on HBO, and it is astonishing how much better the writing is when your source material is the work of a talented and thoughtful writer. (Yes, this is a bit of a dig at Warrior. I still can't bring myself to watch the rest. Maybe I'll skip to season 2.) The next episode is I think the one where Nguyen gets his vengeance on Hollywood and sends up the Apocalypse Now Vietnam War American movies. Highly looking forward to that one. 

Anyway, back to this book. I found this memoir, a bit hard to get into, because it is at once both very broad and very specific. At the end, you find out that the book is compiled out of a bunch of different lectures and works he's put out over the years, and then it makes more sense. The main thing is that Nguyen writes about growing up in San Jose, CA as a refugee and child of Vietnamese Catholics who really believed in the capitalist American Dream, and what happens with his memory when his mom gets sick and how he betrays her memory by writing about it, and how he experiences both America and the Vietnamese community he grows up in as a spy in both worlds. Which recalls the opening of The Sympathizer. And then he broadens out to an eagle eye view of how the legacy of war and American imperialism has affected the disconnect between him and his parents, and his community in general, and how it's affected other diaspora communities and writers.

He writes of being radicalized by Chicano and Asian American literature, and coming to an abiding belief in the power of change through writing. (Man I wish I had that kind of faith.) And sprinkled throughout is his commitment to both "Karl Marxism and Groucho Marxism" - in one chapter, he lists all the one-star reviews of The Sympathizer, in another, he notes that now that HBO is making a show out of The Sympathizer, you don't have to read it, you can just watch it. He mentions how he learned about tenure and was like "you can't get fired? sweet!" and just committed to being an academic so he could do whatever he wanted. 

And he recalls how he ended up in a class taught by Maxine Hong Kingston, only to fall asleep in every single class. He connects it later with his disconnect with his memory and the self-protective barriers he's constructed to avoid dealing with his mom's illness. 

Anyway, overall I enjoyed it and I feel like he's a bit of a kindred spirit in his voracious reading and he obviously has a lot of the same tastes I do - the book is peppered with different quotes from renown diaspora and minority writers such as Kingston, of course, but also Carlos Bulosan, Mahmoud Darwish, Jessica Hagedorn, etc. He names his son Ellison after Ralph Ellison and his daughter Simone after both Nina Simone and Simone de Beauvoir. But I didn't think this was as coherent or as well-written as The Sympathizer. 
Sep. 8th, 2018 06:13 am

of course

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It would turn out that the person who dubbed Joyce Maynard, who became notorious for her relationship with JD Salinger at 18, "the queen of oversharing", was Caitlin Flanagan at the Atlantic. But even Flanagan, apparently, can't seem to deny her talent: It’s not the prose they dislike; Maynard’s writing is clean and engaging. She’s written more than a dozen popular books and a very good true-crime novel. What drives the critics wild is her personal writing and its nonstop examination of self, one damn hair ball at a time.

When I was 13, one of my teachers gave me A Catcher In the Rye and I read it in 2 days. In high school, an English teacher gave us Salinger's short stories, and basically broke down for us his writing, and how it worked, and how to explicate it. And now, looking back at all the men I thought were great and amazing writers, from Salinger to Hitchens to Diaz, I wonder what I would find.
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